![]() I pay for both as subscriptions and my wife hasn’t noticed. They have a sale going on, maybe its time to add a complete Orchestra to my palette. If I had to choose one it would have to be UVI IRCAM because of its character - but I’d be lacking what Opus can do for a full orchestra. EastWest Hollywood Orchestra Opus Edition vs. I certainly see Chris’s perspective on using them. Abbey Road and some of the Spitfire libs (not BBC) are ensembles and feel like cheating - I have to get over that, or I recreate what they are doing in Opus as individual instruments with a lot more flexibility. I love Abbey Road for working quickly, when a certain sound is the thing (and time). ![]() Ironically, I think Spitfire Abbey Road taught me more about how good Opus really is, and how to get the most out of it. I’d take the $200 towards a year’s subscription if you get one of the deals they run for $19 or whatever. Not that it is bad, but that it has just that one sound, and you would likely say it is no different from what you already have.Ĭomposer cloud Opus on the other hand… different beast. 296.00 Off Purchase this item at Sweetwater, and get 296.00 off The price shown reflects your savings. 8 reviews Write your review Item ID: HWOrchOpus-D. My best guess is that you would be frustrated. Hollywood Orchestra Opus Edition (Download) Orchestra Virtual Instrument with 24-bit/44.1kHz Samples - Mac/PC VST2, VST3, AU, AAX Native. I stay away from the temptation to use larger sections (18 violins) as they in particular seem prone to lose individual instrument character but yet also not a smooth buttery blend. It is the “classic” conservative one mic position (blended) sound. It is dry in terms of room sound, flat in terms of mic positions, and IMO feels “average at all times” - isn’t ever epic, isn’t intimate, etc. and I wouldn’t say Symphonic Orchestra is good OR bad. I’ve used/use Symphonic Orchestra, Hollywood, Opus patches, Spitfire Abbey Road Collection, UVI and some misc.
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